Celebrated Ghanaian poet and author, Ama Ata Aidoo has been announced dead on Wednesday, May 31, 2023.
The renowned writer was announced dead by her family after short illness.
The family statement reads,”The Family of Prof. Ama Ata Aidoo with deep sorrow but in the hope of the resurrection, informs the general public that our beloved relative and writer passed away in the early hours of this morning Wednesday 31st May 2023, after a short illness.
“Funeral arrangements would be announced in due course. The Family requests privacy at this difficult moment,” Family head Kwamena Essandoh Aidoo announced in a short statement.
She passed away at the age of 81.
Professor Aidoo was raised in a Fante royal household, the daughter of Nana Yaw Fama, chief of Abeadzi Kyiakor, and Maame Abasema. She grew up at a time of resurgent British neocolonialism that was taking place in her homeland.
Her grandfather was murdered by neocolonialists, which brought her father’s attention to the importance of educating the children and families of the village on the history and events of the era. This led him to open up the first school in their village and influenced Aidoo to attend Wesley Girls’ High School, where she first decided she wanted to be a writer.
Ama Ata Aidoo attended Wesley Girls’ Senior High School in Cape Coast from 1961 to 1964. After high school, she enrolled at the University of Ghana, Legon, where she obtained the degree of Bachelor of Arts in English and also wrote her first play, The Dilemma of a Ghost, in 1964. The play was published by Longman the following year, making Aidoo the first published African woman dramatist.
After graduating, Aidoo held a fellowship in creative writing at Stanford University in California before returning to Ghana in 1969 to teach English at the University of Ghana. She served as a research fellow at the Institute of African Studies there, and as a lecturer in English at the University of Cape Coast, where she eventually rose to the position of professor.
Aidoo was appointed Minister of Education under the Provisional National Defence Council in 1982. She resigned after 18 months, realising that she would be unable to achieve her aim of making education in Ghana freely accessible to all.
She has portrayed the role of African women in contemporary society. She has opined that the idea of nationalism has been deployed by recent leaders as a means of keeping people oppressed. She has criticized those literate Africans who profess to love their country but are seduced away by the benefits of the developed world. She believed in a distinct African identity, which she viewed from a female perspective.
In 1983, she moved to live in Zimbabwe, where she continued her work in education, including as curriculum developer for the Zimbabwe Ministry of Education, as well as writing.
In London, England, in 1986, she delivered the Walter Rodney Visions of Africa lecture organised by the support group of Bogle-L’Ouverture publishing house.
Professor Aidoo received a Fulbright Scholarship award in 1988, and she was writer-in-residence at the University of Richmond, Virginia, in 1989 and taught various English courses at Hamilton College in Clinton New York, in the early mid-1990s. She was for seven years, until 2011, a visiting professor in the Africana Studies Department at Brown University.
Aidoo was a patron of the Etisalat Prize for Literature (alongside Dele Olojede, Ellah Wakatama Allfrey, Margaret Busby, Sarah Ladipo Manyika and Zakes Mda), created in 2013 as a platform for African writers of debut books of fiction.
Her plays include The Dilemma of a Ghost, produced at Legon in 1964 (first published 1965) and Pittsburgh in 1988, and Anowa, published in 1971 and produced at the Gate Theatre in London in 1991.
Ama Ata Aidoo’s works of fiction particularly deal with the tension between Western and African world views. Her first novel, Our Sister Killjoy, was published in 1977 and remains one of her most popular works. It is notable for portraying a dissenting perspective on sexuality in Africa and especially LGBT in Africa. Whereas one popular idea on the continent is that homosexuality is alien to Africa, and an intrusion of the ideas of Western culture into a pure, inherently heterosexual “African” culture, Aidoo portrays the main character of Killjoy as indulging in lesbian fantasies of her own, and maintaining sympathetic relationships with lesbian characters.
Many of Aidoo’s other protagonists are also women who defy the stereotypical women’s roles of their time, as in her play Anowa. Her novel Changes won the 1992 Commonwealth Writers’ Prize for Best Book (Africa). She was also an accomplished poet—her collection Someone Talking to Sometime won the Nelson Mandela Prize for Poetry in 1987 and the author of several children’s books.
Ama Ata Aidoo contributed the piece “To be a woman” to the 1984 anthology Sisterhood Is Global: The International Women’s Movement Anthology, edited by Robin Morgan. Her story “Two Sisters” appears in the 1992 anthology Daughters of Africa, edited by Margaret Busby.
In 2000, Ama Ata Aidoo founded the Mbaasem Foundation, a non-governmental organization based in Ghana with a mission “to support the development and sustainability of African women writers and their artistic output” which she ran together with her daughter Kinna Likimani and a board of management.
She was the editor of the 2006 anthology African Love Stories. In 2012, she published Diplomatic Pounds & Other Stories, a compilation of short stories and another which is a collection of essays by renowned writers in Ghana, Africa and the African Diaspora.
Professor Ama Ata Aidoo received several awards, including the 1992 Commonwealth Writers’ Prize for Best Book (Africa) for her novel Changes.
In 2012, the volume Essays in honour of Ama Ata Aidoo at 70 was published, edited by Anne V. Adams, with contributors including Atukwei Okai, Margaret Busby, Maryse Condé, Micere Mugo, Toyin Falola, Biodun Jeyifo, Kofi Anyidoho, Naana Jane Opoku-Agyemang, Naana Banyiwa Horne, Nana Wilson-Tagoe, Carole Boyce Davies, Emmanuel Akyeampong, James Gibbs, Vincent O. Odamtten, Jane Bryce, Esi Sutherland-Addy, Femi Osofisan, Kwesi Yankah, Abena Busia, Yaba Badoe, Ivor Agyeman-Duah, Chikwenye Okonjo Ogunyemi, Ngugi Wa Thiong’o, Kinna Likimani, and others.
She was the subject of a 2014 documentary film, The Art of Ama Ata Aidoo, made by Yaba Badoe.
The Aidoo-Snyder Book Prize, awarded by the Women’s Caucus of the African Studies Association for an outstanding book published by a woman that prioritizes African women’s experiences, is named in honour of Ama Ata Aidoo and of Margaret C. Snyder, who was the founding director of UNIFEM.
Launched in March 2017, the Ama Ata Aidoo Centre for Creative Writing (Aidoo Centre), under the auspices of the Kojo Yankah School of Communications Studies at the African University College of Communications (AUCC) in Adabraka, Accra, was named in her honour, the first centre of its kind in West Africa, with Nii Ayikwei Parkes as its director.
